Adolescence is the time of firsts: the first drunkenness, the first petting parties, the first "I love you"... And the first grief.
The new school year at Zurbarán begins marked by the loss of a student, prompting the parents' cooperative now managing the school to make a decision: create a support group for the students. As a result, eleven very different teenagers end up sharing a space where they'll clash head-on, but where they'll also come to know themselves and share their passion for life. And for falling in love.
Can, an attractive airline pilot of Turkish descent who respects his traditional father's wishes, attends monthly dinners where he’s introduced to potential brides. At one of these dinners, he meets Sonia, a single mother who unexpectedly shows up at the dinner her mother organized to introduce her two sisters to the wealthy heir.
Can and Sonia, unbeknownst to them, will discover that they have much in common. They enjoy commitment-free sex, frequent clubs where they indulge in their desires, and keep their emotions in check to avoid falling in love.
On the other hand, Daryl, Can’s close friend and also a pilot, is ready to give up his single life after falling for Carol, a spirited flight attendant who turns his world upside down. However, the fears they both carry and their differences will force them to question their feelings and assess whether they can overcome what separates them.
César is a successful lawyer based in Marbella, the world capital of the mafia. Handsome, rich, hedonistic, selfish, ambitious, obsessed with social media... he knows that to maintain his status, he has to be the best in the courts and the man everyone knows at the wild Marbella parties, where numerous criminal groups operating on the Costa del Sol do business.
César is very clear that, to avoid problems in life, one must be friends with everyone and never cross certain lines. But when he least expects it, he discovers that he is in the eye of the storm and who needs a lawyer to save him is precisely himself.
Luis Lacasa, a prestigious homicide detective in Madrid, is forced to accept a transfer to the Canary Islands and adapt to everything he detests: the heat, the sand, and the tourists, but most of all, Naira, a charismatic inspector who loves her homeland. Despite their differences and rivalries, they form a good team and, at the same time, a complicity that will challenge his firm convictions.
Luis suffers from achromatopsia, a visual condition that prevents him from seeing things in color; he sees everything in shades of gray. This dysfunction has contributed to his introversion. Despite this, when he reunites with his daughter, Jimena, with whom he has had no relationship since his wife passed away, he will do whatever it takes to make up for lost time.
Camilo Sesto decides to adapt, in the midst of a dictatorship, "Jesus Christ Superstar," a modern and transgressive musical with international success that revolutionizes the country and makes history. However, he will not be alone in this endeavor. He will be joined by other idealists who, like him, felt the impulse to take risks and bring the most revolutionary rock opera of the moment to this country. The four musketeers of this odyssey will face all kinds of obstacles, a journey filled with setbacks, some accidental, but many of them caused by the circumstances of the moment. The series delves into the soul of the artist, exploring what led him to risk his heritage and career in such a complicated context. In the midst of success, he makes a definitive gesture by shaving his beard for an advertisement and donating the amount to an orphanage.
Between 1954 and 1966, in a desert area of Fuerteventura, there was a Francoist concentration camp known by the euphemistic name of Colonia Agrícola Penitenciaria de Tefía, one of many places where the regime sent those condemned by the law as vagrants and thugs who, from 54, it was implemented to also include homosexuals.
In the year 2004 Airam Betancor, one of those homosexual prisoners, is forced to remember the seventeen months of forced labor that he suffered in the colony when he was barely twenty years old. The investigations of a documentary filmmaker trying to give voice to the silent history of the penal colony force Airam to undertake a painful memory exercise that will cause many problems in his life. The sleepy memory of the terrible life in the colony is mixed with the stories that one of his barrack mates improvised at night to alleviate his misery. Charli, the fantastic storyteller, invented El Tindaya for all of them, a dazzling music hall where each one has her alter ego. A space of freedom in which, as her welcome theme says, the limit of the possible bursts when imagining.
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